I don't have it in front of me, but the filmmaker Sergei Eisenstein once wrote something close to "Once montage was everything; now it is nothing." Montage is editing and its use a major feature of Soviet (and Eisenstein's) silent cinema. But montage as Eisenstein used it allowed for ambiguity and Stalin's regime found that threatening. Thus came Socialist realism and many years of stodgy filmmaking (and art in general) and, most alarmingly, Eisenstein's attempt to fit himself to the new model with the essay that contains that sentence. Eisenstein's mea culpa may not encapsulate a philosophy to live by - being and nothingness writ large - but it might well illuminate some of the more puzzling aspects of the world around us. For example, consider the debate on Lieberman-Warner bill, which yesterday devolved into partisan bickering and maneuvering for advantage. Before then, though, you got a good sense of everything and nothing in action. Here is Bar...
Former blog for NEI featuring news and commentary on the commercial nuclear energy industry. Head to NEI.org for the latest blog posts.